AIVA · Technology

From Discovery to Creation

A full-funnel paid social plan for an AI music composition platform.

Industry

Technology

Capability

Paid Social Strategy

Communication gap

Relevance Gap

Status

Proposed media plan — 2025

A creator's night desk with headphones and an audio waveform on a laptop screen
From Discovery to Creation
AIV

01 — The challenge

Two jobs, one campaign.

AIVA lets creators compose original music with AI. Social media is simultaneously its largest discovery channel and its primary education channel — and those are different jobs with different audiences, formats, and success measures.

Treated as one job, the campaign fails twice: the discovery audience is told too much, and the consideration audience is told too little. The brief's real task was to separate them and fund each appropriately.

02 — The gap

How do you turn an unfamiliar creative tool into something creators understand, consider, and try?

This is a Relevance Gap. The barrier was not that creators had never heard of AI music generation — it was that they could not place the tool inside their own workflow. Awareness without a use case does not convert.

03 — Audience & research

Who the plan was built for.

The audience

  • Content creators, indie filmmakers, game developers, and aspiring music producers
  • Aged 18–35, digitally native and platform-fluent
  • Heavy consumers of short-form and tutorial content
  • Influenced by creator-led demonstration over brand claims
  • Motivated by speed, accessibility, and creative control

Geography

Primary markets: the United States, the United Kingdom, and Canada — the largest concentrations of English-language creator activity.

Secondary markets: Germany, France, and the Netherlands, where creative-technology adoption supports efficient expansion once the primary markets stabilise.

"An unfamiliar tool is not an awareness problem. It is a sequence problem."

04 — Strategic solution

Give each platform one job.

Rather than running the same message everywhere, the plan assigns every channel a single funnel role and a creative format suited to it. The audience moves from seeing a track being made, to watching how it is made, to making one.

All creative is video-first, because the product is only convincing when it is demonstrated. Static formats support the argument; they never carry it.

05 — Execution · channel architecture

$250,000 across ten weeks and five platforms.

Proposed allocations. No media was purchased and no spend occurred.

TikTok

Discovery

30%

of proposed budget

Short-form vertical video showing a track composed in real time

Highest organic discovery potential among creators aged 18–35, and the format rewards demonstration over explanation.

YouTube

Education & consideration

30%

of proposed budget

Tutorials, walkthroughs, and screen-recorded demonstrations

Creators research tools here. Long-form is where an unfamiliar product earns credibility rather than curiosity.

Instagram

Discovery & consideration

20%

of proposed budget

Reels, carousels, and creator testimonials

Bridges the visual discovery of Reels with the proof of creator-led social evidence.

Facebook

Conversion

10%

of proposed budget

Retargeting to warm audiences with a clear trial prompt

Efficient re-engagement of people who watched but did not act — the cheapest conversion available.

X

Community & conversation

10%

of proposed budget

Participation in creator-economy and AI discourse

Where the conversation about AI creative tools is already happening, and where credibility with early adopters is either built or lost.

Weeks 1–3 · Testing

Creative, audience, and format A/B testing across all five platforms to establish which combinations earn attention and which earn trials.

Weeks 4–10 · Optimisation

Budget reallocated toward demonstrated performance rather than held to the opening split, with creative iterated against the strongest early signals.

06 — Objectives & measurement

Six KPIs, all proposed targets.

This is a proposed media plan. It was not executed, no budget was spent, and no performance data exists. The measures below define how success would have been judged.

Reach and impressions — scale of discovery
Click-through rate — creative relevance
Cost per click — media efficiency
Cost per acquisition — acquisition economics
Trial-to-paid conversion rate — product fit
Video completion rate — depth of attention

The measurement logic is deliberately sequential: reach and completion rate govern the discovery platforms, click-through and cost per click govern consideration, and cost per acquisition and trial-to-paid conversion govern the closing weeks.

07 — Reflection

"Media planning is audience strategy with a budget attached."

Every percentage point in an allocation is an argument about what the audience needs at that moment — discovery, proof, or a reason to commit. Writing this plan was less about choosing platforms than about deciding the order in which understanding has to happen.

Independent media brief developed through graduate study at USC Annenberg. AIVA is not a client, and the plan was not commissioned or executed.